Photographs::..
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| KAREN
KNORR |
| Born
Frankfurt am Main, Germany |
| Currently
lives and works in London |
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SOLO EXHIBITIONS
|
| 2009 |
Karen Knorr, Musee Carnavalet, Paris ( forthcoming)
Karen Knorr, Musee Gajac, Villeneuve sur Lot ( forthcoming) |
| 2008 |
Karen Knorr, Musee de la Chasse et de la Nature, Paris (Jan 8- May 10 ) |
| 2006 |
Karen Knorr @Photobiennale, Brescia, , Castello, Miglio, Italy |
| 2005 |
Karen Knorr Fables, Photo & Co, Turin | Press release |
| 2004 |
Karen
Knorr Menagerie, Centre d'Art Quevilly, France
Karen Knorr, Histoires Naturelles, Musée de la Créche,Chaumont, France
Karen Knorr Menagerie, Galerie Blancpain Stepczynski, Geneva
|
| 2003 |
Genii
Loci, Les Filles du Calvaire, Brussels |
| |
Karen
Knorr, Les Filles du Calvaire, Paris | Press
Release |
| 2002 |
Sanctuary,
Miart, Milano * |
| |
The
Venery, Cheverny Castle, Cheverny, France * |
| 2001 |
Spirits,
Palazzo Tafini, Savigliano, Italy * |
| |
Art
Lovers, Geukens De Vil, Knokke Zoute , Belgium |
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Sanctuary,
The Wallace Collection, London |
|
Karen
Knorr , Interim Art, London |
| 2000 |
Art
Lovers, Photo & Contemporary, Turin and FIAC, Paris* |
| 1999 |
Photography's
Shadow, Centre Culturelle Franc ois Mitterand, Beauvais,
France |
| |
Karen
Knorr: Academies, Gentlemen, Country Life, Museu
Nogeira da Silva, Braga, Portugal |
| 1998 |
Karen
Knorr: Photography's Shadow, Beauvais |
| |
Academies
II, Galerie Philippe Rizzo, Paris |
| |
Academies,
Galerie Blancpain Stepczynski, Geneva |
| |
Academies,
Umea Bildmuseet, Umea, Sweden, travelling to Uppsala
Museum, Uppsala |
| 1997 |
Academies,
Maureen Paley Interim Art, London |
| |
Retrospective,
Photography Festival,, British Council, Quito, Ecuador |
| 1996 |
The
Virtues and t he Delights/Academies, D'Eendt Gallery,
Amsterdam |
| |
Lyceum
and Academies, L'Aquarium, Beaux Arts de Valenciennes |
| |
Les
Virtus et les Delices, Beaux Arts de Nantes |
| |
Karen
Knorr, Photo & Co, Turin, Italy |
| 1995 |
Academies,
Philippe Rizzo, Paris |
| |
The
Virtues and the Delights, Blancpain and Strepscynski
Gallery, Geneva |
| 1994 |
The
Virtues and the Delights, Royal Festival Hall, London,
Portfolio Gallery, Edinburgh, Netherlands Foto Institute,
Rotterdam |
| 1993 |
Inside
Out, Museo Luigi Pecci, Prato, Italy (with Guilio
Paolini) * |
| |
Britain
Your Britain, Towner Art Gallery,Eastbourne |
| |
The
Virtues and the Delights, Keynes College, Canterbury
University |
| |
The
Virtues and the Delights, Interim Art, London |
| |
Karen
Knorr: Gentlemen, Country Life, Connoisseurs and
Capital, Moderna Museet, Stockholm, Sweden* |
| 1992 |
Les
Delices de Voltaire, Ferney-Voltaire, France |
| 1991 |
Capital,
Salama-Caro Gallery, London |
| |
Connoisseurs
and Capital, Galeria 57, Madrid |
| |
Gentlemen,
Country Life, Connoisseurs and Capital, Antoine Candau
Gallery, Paris |
| |
Marks
of Distinction, Portfolio Gallery, Edinburgh |
| 1990 |
Vues
de l'Esprit, Photographies, Galerie le Lieu, L'Orient
* |
| |
Vues
de l'Esprit, Photographies, Galerie Art et Essai,
et Galerie du Cloitre,Rennes * |
| 1987 |
Connoisseurs,
Samia Saouma, Paris |
| |
Compostures,
Musee d'Art Moderne de la Ville de Paris, Paris * |
| |
Gentlemen,
Salon du Livre, Geneva |
| 1986 |
Connoisseurs,
Riverside Studios, London |
| 1985 |
Country
Life, Samia Saouma, Paris |
| 1983 |
Gentlemen,
Samia Saouma, Paris |
| 1980 |
Belgravia,
Samia Saouma, Paris |
| |
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GROUP EXHIBITIONS
|
2007 Karen Knorr@ Eric Franck, London Photo, London
Generations, Filles du Calvaire, Brussels
Karen Knorr Fables @Art Futures, The Bloomberg Space, London
London Sotheby’s Contemporary Art Exhibit , Olympia, London
Generations, Filles du Calvaire, Brussels
Karen Knorr@ Filles du Calvaire Paris Photo
Les Peintres de la vie moderne, Donation- Collection photographique de la Caisse des Dépôts, Centre Pompidou, Paris, France |
| 2006 |
Tiefenschärfe (Depth of Field), Kunsthalle Baden Baden, Germany
If it didn't exist you would have to invent it... a partial history of the Showroom,The Showroom, London
A tables, Chamarade, France
Plug , White Space, County Hall, London
Zoo, Centrale Electrique, Brussels, Belgium ( with catalogue)
Brescia International Photobiennale, Brescia, Italy
The Painters of Modern Life, Centre Pompidou, Paris ( with catalogue)
Imposing Order, Contemporary Photography and the Archive, San Francisco Modern Museum of Art, San Francisco, U.S.A.
Fables, Filles du Calvaire, Paris- Photo, France
Simulacra and Pseudo Likeness,New Manezh Moscow State Exhibition Hall, Russia
La photographie a l'epreuve: du XIXeme siecle au XX1 eme siecle, Institut d'art contemporain et musee d'art moderne, Saint-Etienne, France
Vigo Council Photography Collection, Portuguese Centre of Photo-graphy,Porto, Portugal
Portraits/Autoportraits, Gallery Guy Ledune, Brussels, Belgium
|
| 2005 |
Nutzlich suss museal Das Fotografierte Tier, Folkwang Museum,Essen,Germany
Reception,Musee Municipale Robert Dubois-Corneau,Brunoy, France
A Tables, Chateau Chamarande, Domaine Chamarande, France
Echos d'Epoque, Frac basse Normandie, Caen, France
Animalities, Maison's des Art Pompidou, Carjat, France
On View: Photographing the Museum, Yancey Richardson Gallery, New York
Simulacra and Pseudo Likeness,New Manezh Moscow State Exhibition Hall, Russia
La photographie a l'epreuve: du XIXeme siecle au XX1 eme siecle, Institut d'art contemporain et musee d'art moderne, Saint-Etienne, France
Vigo Council Photography Collection, Portuguese Centre of Photo-graphy,Porto, Portugal
Portraits/Autoportraits, Gallery Guy Ledune, Brussels, Belgium
|
| 2004 |
Femina, Filles du Calvaire, Paris, France
Femina, Filles Du Calvaire, Brussels, Belgium
Tunnel Vision, Daniel Azoulay, Miami, Florida
Art Basle, Art Miami, Miami, Florida
Artexis ,Brussels Art Fair, Filles du Calvaire, Brussels, Belgium
Maureen Paley Interim Art,Art Basel, Basle, Switzerland
Un Air de Famille, Centre National de Lectoure, Toulouse, France
Image/Imatge, Centre de la Photographie, Orthez, France
Natural Phenomena: Horizon Bound, Daniel Azoulay Gallery, Miami, Florida |
| 2003 |
Connections,James
Hockey Gallery, Surrey, Institute
Oh So British, Musee des Beaux Arts de nnacy, France
Vigovisions, Museum of Contemporary Art, Vigo, Spain
Fables de l’Identite, Oeuvres photographiques et videos de la collection NSM- Vie / ABN AMNRO, Centre Nationale de la Photographie, Paris
FIAC , Filles du Calvaire, Paris
Paris Photo, Filles du Calvaire, Paris
Tunnel Vision: a Contemporary Visual Odyssey, Daniel Azoulay Gallery,
Art Basel Dec 4-7 Art Miami Jan 8-11 |
| 2002 |
Critical
Dictionary, Mirror Gallery, London |
|
Group
Show, Photo & Co. Turin
Le Regard de l’Autre, Dialogue entre les Collections du FRAC Haute-
Normandie et du Musee des Beaux Arts de Rouen
La Part de l'Autre , Carre d'Art, Nimes
Love,Labour and Loss, Tullie House Museum and Art Gallery, Carlisle
Braga Foto , Braga Portugal
Et le 5 eme jour...Collections du Fonds National Art Contemporain, Chateau
Fougeres sur Bievre, France |
| 2001 |
The
gallery:UNCOVERED, University Gallery, University
of Essex |
|
L'Oeuvre
de multipliee, Musee d'Art Moderne Lille Metropole,
France |
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East
International, Norwich Art Gallery, Norwich |
|
La
Bretagne Collectionne L'Art de NotreTemps, Manoir
de la Grand'Cour,Taden, France |
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Group
Show, Knookke Zoute, Belgium |
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Heimsuchung,
carte blanche a Rut Blees Luxemburg,FRAC Pays
de la Loire, Salle Mario Toran |
|
Landscapes/Paesaggi,
Convento dei Cappucini, Caraglio, Italy
|
| 2000 |
The
Century of the Body, Photoworks 1900-2000, Musee
de l'Elysee, Lausanne |
| |
Facons
de Piendre, Galerie Laage-Salomon, Paris |
| |
London
Calling, Gimpel Fils, London* |
| |
Lignes
D'Horizon / Acquisitions recentes du FRAC Haute Normandie,
France Campi di Oscillazione, Caraglio, Italy* |
| |
Collection
de la Caisses des depots et Consignations, Salon
Paris Photo, Paris |
| 1999 |
Regards
mis en scene, Pavilon Baltard-Palais des Arts, Nogent
sur Marne, France |
| |
The
Great Hall, Bury Saint Edmunds Art Gallery, Bury
Saint Edmunds |
| |
The
Century of the Body: Photoworks 1900-2000, Culturgest,
Lisbon |
| |
Uppsala
International Short Film Festival, Uppsala, Sweden |
| 1998 |
Photographier
la Sculpture, Musee d'Orsay, Paris and Centre Photographie
de Lectoure |
| |
Le
Corps mis a Nu, Artistes et Anatomie, Musée
d'art et d'histoire, Geneva, |
| |
Unclassified,
Ferens Art Gallery, Hull |
| |
Chemical
Traces, Photography and Conceptual Art 1968-1998,
Ferens Art Gallery, Hull |
| |
The
Virtues and the Delights, Hammerson plc, London |
| |
High
Tech, Low Tech, Galerie Philippe Rizzo, Paris |
| |
History:
The Mag Collection, Fruitmarket Gallery, Edinburgh,
New Orleans House, Twickenham, London, Towner Art
Gallery, Eastbourne |
| |
On
the Bright Side of Life - Contemporary British Photography,
Kunstverein Ludwigshafen am Rhein, Germany |
| |
In
Visible Light: Photography and Classification in
Art, Science and the Everyday, Royal Botanical Gardens,
Edinburgh, Finnish Museum of Photography, Helsinki,
Museum Villa Stuck, Munich, Moderna Museet, Stockholm
and to uring |
| |
Virtue
and Vice, Zone, Newcastle-upon-Tyne |
| 1997-8 |
The
Quick and the Dead, Artists and Anatomy, National
Touring Exhibitions: Royal College of Art,Mead Gallery,
Warick Arts Centre, Coventry and the Leeds City Art
Gallery* |
| 1997 |
On
the Bright Side of Life - Contemporary British Photography,
Neue Gesselschaft für bildende Kunst e.V., Berlin
* |
| |
Le
Temps de la Marquise, Musée d'Art Moderne
de Rennes, Rennes |
| |
History:
The Mag Collection, Ferens art Gallery, Hull * |
| |
Fictions,
Fotografia e Artificio, Photo & Co., Turin |
| |
Veronika's
Revenge, Arles Photography Festival, France |
| |
Photo-Text-Photo,
Frankfurter Kunstverein, Germany * |
| |
In
Visible Light: Photography and Classification in
Art, Science and the Everyday, Museum of Modern Art,
Oxford * |
| |
Virtue
and Vice, Site Gallery, Sheffield, Watershed, Bristol,
Nottingham |
| |
University
and Portalen Koge Bugt Kulturhus, Denmark Curated
by Mirelle Thijsen * |
| 1996 |
Multiple
Exposure, curated by Leslie Tonkonow, Toronto |
| |
Documentary
Dilemmas, Thessanoliki, Greece |
| |
The
Projected Room, Esslingen, Germany |
| |
MACHT/ONMACHT,
ICC, Antwerp, Belgium * |
| |
Setembre
de la Photo a Nice, Patrick Rogiers, Nice |
| |
Photo-Text-Photo,
Museo d'Arte Moderna, Bolanzo |
| |
Photo
Stories, Gottingen, Germany |
| |
The Virtues and the Delights , Chateau Adhémar, Montélimar |
| 1995 |
Le
Marché d'Arte Contemporain, Salle Drouot,
Paris |
| |
New
Acquisitions, Victoria & Albert Museum, London |
| |
Multiple
Exposure: The Group Portrait, Independent Curators
Inc., The Bruce Museum, Conneticut; Bayley Art Museum,
University of Virginia* |
| |
Conceptual
Art & Photography: Dubbel Spel Buiten Kennis, Academie
Voor Schone Kunsten, St. Nilklaus, Belgium |
| |
Karen
Knorr presente par Philippe Rizzo, Richard Fonke
Gallery, Ghent Oeuvres Photographiques, Frac des
Pays de la Loire Chateau Gontier, France |
| |
Representing
Sculpture, curated by Geraldine Johnson, Strang Print
Room, University College London, Leeds City Art Gallery
* |
| |
Documentary
Dilemmas, National Theatre Galleries, Bucharest,
Alpha Gallery, Bacau, Romania and travelling to Poland
and Greece |
| |
The
Projected Room, Site Gallery, Sheffield |
| |
Eye
Contact '95, Towner Art Gallery, Eastbourne |
| |
The
Excellence of Every Art, V&A exhibition travelling
to Canada and the USA |
| 1994 |
Documentary
Dilemmas, Studio Marangoni, Florence and travelling
to Dublin, Italy, the Czech Republic, Slovakia and
Salford Die Orte der Kunst, Sprengel Museum, Hanover,
Germany * |
| |
Festival
Internacional de Fotografia Tarazona Foto '94, Veruela
Monastry, Spain * |
| |
Fotografinnen
Der Gegenwart, Museum Folkwang Essen * |
| |
VI
Fotobienal of Vigo, Vigo, Spain * |
| 1993 |
Deutsche
Leasing AG Exhibition, Rolturzentrum Englische Kirche,
Bad Hamburg * |
| |
Borderless
Print, Rochdale Art Gallery, Rochdale |
| |
Inside
Out: Museo, Citta, Eventi, Centro per l'Arte Contemporanea,
Luigi Pecci, Prato Document tary Dilemmas (travelling
exhibition), organised by the British Council, SaoPaulo,
Brazil * |
| |
Moving
into Vie ûw: Arts Council Collection, Royal
Festival Hall, London About Big Cities, Neue Gesellschaft
fur Bilderde Kunst, Berlin * |
| |
Moving
into V_ ò_: Arts Council Collection, Royal
Festival Hall, London About Big Cities, Neue Gesellschaft
fur Bilderde Kunst, Berlin * |
| |
Moving
into Vi_ iew, The South Bank Art Centre, London |
| 1992 |
Karen
Knorr/Marc Pataut, Nouvelle Galerie d'Exposition
de l'Ecole Regionale des Beaux-Arts de Rouen, France
Houston Fotofest, Houston * |
| |
The
Fortune Teller, Rochdale Art Galleries, Rochdale
* |
| |
Mai
de la Photo, Rheims, France * |
| |
The
Cutting Edge, Barbican Centre, London * |
| |
Capital,
European Festival, North Terminal, Gatwick Airport |
| |
Internationale
Foto - Triennale, Invented Worlds, Esslingen, Germany |
| |
Les
Epreuves Digitales, Palais de Tokyo, Paris * |
| |
Les
Collections de la F.R.A.C., Musee des Beaux Arts,
Nantes |
| |
Contemporary
Art from the collection of Laver Normandy, Aspex
Gallery, Portsmouth |
| 1991 |
Heritage:
Image + History, Greenwich Citizens Gallery, London |
| |
Shocks
to the System, South Bank Centre, London * |
| |
Kunst
Rai, Amsterdam, Netherlands |
| |
A
Place for Art?, Showroom, London |
| |
Les
Couleurs de l'Argent, Musee de la Poste, Paris * |
| |
L'Effet
de Reel, Galerie Art et Essai, Rennes |
| 1990 |
Integration,
Salama-Caro Gallery, London |
| |
Karen
Knorr, Lynn Cohen, Olivier Richon, Galerie Samia
Saouma, Paris |
| |
Other
Than Itself, Stills Gallery, Edinburgh |
| |
Heritage,
Impressions Gallery, York and Cornerhouse, Manchester |
| |
Images
in Transition: Photographic Representation in the
1980s, The National Museum of Modern Art, Kyoto,
travelling to the The National Museum of Modern Art,
Tokyo * |
| |
Other
Than Itself, Brewery Arts Centre, Kendal, Cumbria
El Documentalismo Social, Fotobienal, Vigo, Spain
* |
| 1989 |
International
Camera, Salama-Caro Gallery, London * |
| |
Photo
Biennale, Enschede, Netherlands * |
| |
Other
Than Itself, Showroom/Camerawork, London |
| |
Through
the Looking Glass, Photographic Art in Britain 1945-1989
Barbican Centre, London * |
| |
Tenir
l'i mage a Distance, Musee d'Art Contemporain, Montreal
* |
| |
Other
Than Itself, Ikon Gallery, Birmingham |
| |
After
the Empire, Wexner Center, Ohio |
| |
Karen
Knorr and Anne Sauser-Hall, Photographies et Sculpture,
Galerie des Bastions, Geneva |
| |
Other
Than Itself, Cambridge Dark Room, Cambridge |
| 1988 |
Monumental
Works, The Crypt, London |
| |
L'Angleterre
des Annees 80, Abbaye des Dames, Saintes, France,
Presi per Encantamento, Milan * |
| |
Chris
Killip's Selection, Victoria and Albert Museum, London |
| |
Fragments
of False Houses, Pomeroy Purdy Gallery, London * |
| |
Women,
Photography and Self Portraiture, Queen Elizabeth
Hall, London |
| |
La
Photographie et la Photographique, Musee d'Art Moderne
de la Ville Paris |
| 1987 |
Systems
of Support, Kettles Yard, Cambridge |
| |
Group
Show, Anina Nosei, New York, Konigsreich, Forum Stadpark,
Graz, Austria |
| |
The
Contemporary, Forum Stadtpark, Graz |
| 1986 |
Revisions,
The Watershed, Bristol |
| |
Theatre
des Realities, Metz Pour La Photographie, Metz * |
| |
Nature
de l'Art, Hopital Saint Julien, Chateau Gontier,
France |
| |
Museotrain
Pour la Photographie, Regions Champagne, Ardennes,
Pays de Loire, Nord Pas-de-Calais, France |
| 1985 |
Karen
Knorr and Olivier Richon, Cash/ Newhouse, New York |
| |
Magnificent
Obsession, Art Resource Centre, Toronto * |
| |
Magnificent
Obsession, Eye Level, Halifax, Canada * |
| |
Magnificent
Obsession, Optics Gallery, Montreal * |
| |
Food
as Politics, Camerwork, London |
| |
Revisions,
John Hansard Gallery, Southampton * |
| |
Revisions,
Cambridge Darkroom, Cambridge * |
| |
After
A Fashion, Camerawork, London |
| |
Textiles
Zones, Musee des Beaux Arts, Mulhouse, France |
| |
Fotofestival,
Malmo, Sweden |
| |
The
Way We Live Now, Gallery 400, Chicago |
| |
Phototextes,
Samia Saouma, Paris |
| |
The
Fifth Sydney Biennale, Sydney * |
| |
Karen
Knorr/George Rousse, University of Tasmania, Tasmania |
| |
Models,
The Pentonville Gallery, London * Ref. 1984, Palud
1, Laus anne |
| 1983 |
The
Expanded Media Show, Sheffield City Polytechnic,
Sheffield |
| |
New
Beginnings, The Pentonville Gallery, London * |
| |
Beyond
the Purloined Image, Riverside Gallery, London |
| |
The
Way We Live Now, PS1, Long Island City, New York |
| 1982 |
GLAA
Awards, Kingston Museum and Art Gallery, London |
| |
5
Photographers, ELAC, Lyon |
| |
Light
Reading, B2 Gallery, London |
| |
Phototextes,
Musee d'Art et d'Histoire, Geneva |
| |
An
Account, Nouvelle Galerie des Philosophies, Geneva |
| |
Strategies,
John Hansard Gallery, Southampton |
| 1981 |
Five
Photographers, I.C.A., London |
| |
Five
Photographers, Chapter Arts, Cardiff |
| |
Swiss
Account, B2 Gallery, London |
| |
Lichtbildnisse,
Landesmuseum, Bonn |
| |
GLAA
Awards, Woodlands Art Gallery, London |
| |
Sezione
Culturale, SICOF, kMilan |
| 1980 |
Thames
T.V. Bursary Award Show, London Second Brunel Photoshow,
Uxbridge |
| |
Portraits,
Centre d'art Contemporain, Geneva |
| 1978 |
Punks
and Teds, The Photographers' Gallery, London |
* denotes catalogue is available
|
SELECTED
REVIEWS/PUBLICATIONS |
|
A Century of Colour, Roberts, Pamela, pp 226-227, Andre Deutsch, 2007
Guardian, G2 Karen Knorr’s Best Shot Thursday March 08,2007 p 27
Paradis no 1, A Magazine for the contemporary man, pp126-127, 146-153, Summer 2006, Paris,
Zoo , catalogue pp 11,pp94-97. pulished by La Centrale Electrique, European Centre for Contemporary Art, Brussels June 2006
Exit 22, Living With AnimaLs , Karen Knorr pp102-113, Editor Rosa Olivares, Madrid 2006
Portfolio catalogue, Karen Knorr Fables, With Essay by Lucy Soutter, pp. 12-17 Dec 2005
Picturing the Self, Doy, Gen, Chapter 4 Focusing on the Self: Karen Knorrpp.98-103,I.B. Tauris & Co Ltd. , London 2005
The Walrus p.26, Volume 2 Issue 3, Toronto, Canada, April 2005
Lapiz 199-200, Revista International de Arte, Animalistic, pg-51, 126-127, Spain,2005
Photographie Plasticienne, Baque, Dominique, L'Extreme Contemporain P.88 , pp 98-101, Editions du Regard, 2004
Connaissance des Arts. Photo 2, Novembre 04-Fevrier 05 pg 77, Paris
Beaux Arts no. 239 April 2004 p. 62, Paris
Exit Book No 3, Cover Image, 2004, Madrid, Spain
Exit Book 13, What a Laugh! by Rosa Olivares, pg 20. 2004, Madrid Spain
Foto pozytyw n. 11 Kopalak, Eliza Karen Knorr,pp34-39.,lodz, Poland, Nov 2003
Art And Photography, Campany, David , Pp 64, 291, London 2003
Contemporary Issue 51. Genii Loci: The Photographic Work of Karen Knorr, Kathy Battista, pp76-77, July 2003, London
Art Review ,Castle Cartier p 76, July/August 2003, London
The Art Book, Volume 10 , Issue 4 Genii Loci, Review by Doy, Gen pp. 52, London
Art Press July 2003 La Photographie : du Musee Au Visage, Baque, Dominique p.90, Paris
Art Press no/ 287 February 2003 p 76, Paris
Art Press no. 290 Mai 2003 p. 8. Paris
Beaux Arts no. 227 April 2003 p. 36, Paris
Ein Bilder buch: Die Fotografische Sammlung im MuseumFolkwang pp 237,Steidl,Museum Folkwang 2003, Germany
Match de Paris no. 2811, Tendance, Des Animaux pour Decaler Notre Regard , Francois de Labarre Paris Match p.26, April 2003, France
Spaces for Art, EXIT 9, pp 80 - 88, Madrid, Spain 2003
La Photographie Contemporaine, Poivert, Michel, pp 76,85,108,115, Flammarion,
France 2002
Lost in the Archives, The Peripatetic Philosopher and Other Photographs
by Karen Knorr , edited by Rebecca comay, pp 63-72, Alphabet City Media,
2002
Art in America, Report from London, Life After YBA mania, pp78-79 Oct 2002
Animaux Au Chateaux, Anne- Marie Romero, Le Figaro Culture, p. 28 26/27
October 2002
Swings and Roundabouts, Catherine James, pp 68-71, Contempoarary, June
July, August 2002
Putting Pictures in their Place, Tom Lubbock 31/07/01 The Independent Art
and Feminism, Helen Reckitt and Pegy Phelan. pp116 Phaidon Press, 2001
|
|
Karen
Knorr: Amantes del Arte Contemporaneo, La Fotografia
Revista no: 86
pp36-39, Agosto- Septiembre 2001 , Bracelona Spain |
|
Old
Masters with New Teeth, Charles Darwent, The Independent
on Sunday,
July 8,2001 |
|
Karen
Knorr, Profifoto, May-June 2001 pp. 36-38 |
|
Pick
of the Galleries, Independent on Sunday 18/02/01
p. 5
Rennfahrer, Bergbluten und ein Papagei, Jorn Ebner, Kunstmarkt,
Frankfurt |
|
Allegemeiner
p. 54 3/3/01 < Frankfurt, Germany |
|
Karen
Knorr par Antonio Guzman. Profil dâ€une
Collection, FRAC, Basse
Normandie , 104 pages, Frac Basse Normandie France 2001 |
| |
Karen
Knorr, Photo & Co Torino, Cnti, Tiziana, Tema Celeste,
p 101, Dec. 2000 |
| |
Belgravia,
Karen Knorr, Do Trinque, Centro de Estudos Fotograficos,
Vigo, Spain , 2000 |
| |
Vernissage,
Musei da primati, Franco Fanelli, pp14-15, October
2000,
The Art Newspaper Landscape and Western Art, Malcolm Andrews, Oxford History
of Art Papel Alpha, El propisito dela alegoria: entre la forma y el contenido,
Mirelle Thijsen, Ediciones Universidad de Salamanca 1999
Love & Desire, Thames & Hudson, London 1999
Ediciones Catedra, Madrid, Documentalismo Fotografico, Margarita Ledo,
pp. 13 7-138, 141. 144-145, 147, 192
Flash Art, Karen Knorr, Philippe Rizzo/Musée d'Orsay, October 1998,
p. 130
Le Nouvelle Observateur, Photographier la Sculpture, 30 July-5 August,
p. 81
Le Monde, Culture, Musée d'Orsay, La Sculpture a l'Epreuve de la
Photographie, 7 August 1998
Paris Vogue, Arret sur Images, Dix artistes évoquent l'inspiration
du voyage, December/January 1997, p.39
Photography: An Independent Art, Photographs from the Victoria and Albert
Museum, 1839- 1996, Mark Haworth-Booth, V&A Publications, 1997, pp.187,
190, 200
Portfolio, The Catalogue of Contemporary Photography in Britain, Academies,
no. 25 pp1,14-19, 56, 57
Art Journal, Masculine and Unaffected, Inigo Jones and the Classical Ideal,
Christy Anderson, CAA New York 1997
Time Out, Karen Knorr, Martin Coomer, no. 1400, June 18-25 1997, p. 50
Art Press no. 216, Academies, la photographie par Dominique Baqué,
Sept 1996
Visual Resources, vol.XII, pp 73-79 The Very Impress of the Object, Mary
Bergstein Cultureel Supplement Handelsblad, Karen Knorr, 5 April 1996
Journal de Geneve, Vertus et delices de photos féministes, 16 January
1996
Liberation, Brigitte Ollier, Nov. 1995
Asahi Photography, Shinko Suga, Tokyo, Oct. 1994
Financial Times, Tunnel Vision, Marina Benjamin, 6 May 1994
The Photographic Journal, Britannia's Critical Eye on the Tunnel, May 1994
Time Out, Karen Knorr: The Virtues ans the Delights, Sarah Kent, 5 Jan
1994
Tema Celeste, Inside Out a Prato, Valeria Bruni nr. 41, Syracuse 1994
Aftonbladet Kultur nr. 9 Karen Knorr: Den Godas Smakens Ideologi, Sara
Arenhuiss, pp 14-17, Stockholm, Nov. 1993
Aftonbladet, Vad gor apa finrummet?, Sara Arrhenenius, 23 Oct. 1993
Dagens Nyheter, Pa Stan Ironier at de rika, p 39, Rebecka Tarschys, 15-21
Oct. 1993
Svenska Dagblatet, Karen Knorr, Fotografiska Museet, Stina Hedlund, 15
Oct.1993
Sundsvalls Tidning, Ironisk Knorr ser pa overklass, Torbjorn Ivarsson,
18 Oct.1993
Creative Camera, Britain Your Britain, Karen Knorr in Eastbourne, pp 48-49,
John Taylor, Aug/Sept 1993
Il Manifesto, Se Il Museo L'Opera, Paolini, Knorr, Kruger, Kawamata, Sylvia
Luchesi, April 1993
Art Press no. 165, L'Art et l'Argent, Jean-Joseph Goux, 1992
After Image, The Order of Things, John Taylor, New York, Sept. 1991
Le Monde, Patrick Roegiers on Karen Knorr, July 1991
Liberation, Karen Knorr, Brigit te Ollier, Paris 1991
Arts Review, Photography, David Lee, London, July 1991
Time Out, Sarah Kent on Karen Knorr, 12-19 June 1991
Blitz Magazine, Class Acts, Suzanne Frankel, June 1991
Art Press no. 145, Karen Knorr, "Vues de l'Esprit", March 1991
Flash Art, Second Generation Post-Photography, April 1988
Beaux Arts, no. 46, Karen Knorr, Patrick Mauries, May 1987
Art Press no. 107, Les Codes Perdu du Temps Perdu dans la Photographie
de Karen Knorr, Elisabeth Lebovici, Oct. 1986
Parachute, Magnificent Obsession, Montreal, Spring 1986
"C" Magazine, Magnificent Obsession, M. Gagnon, Fall 1985
Aspects, Beyond the Purloined Image, John Roberts, Winter 83/84 Artscribe
nos 27, 28, 34, 43, 47 |
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MONOGRAPHS |
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Signes
de Distinction, Thames and Hudson, France, 1991
Marks of Distinction, Thames and Hudson, England 1991
Karen Knorr par Antonio Guzman Frac Basse Normandie, France 2001
Genii Loci, Black Dog Publishing, London 2002 |
AWARDS, GRANTS,BURSARIES |
2001
1998
1993
1986
1985
1980
1980
1979 |
The
Arts Council Of England
Hasselblad Foundation Research Grant ( Sweden)
London Arts Board Grant
National Endowment for the Arts (U.S.A.)
GLAA Award
GLAA Award
Arts Council Bursary
Thames T.V. Bursary |
COMMISSIONS |
| 2003 |
Printemps des Musees?, French Ministry of Culture and NSMD Bank
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| 2002 |
Images au Centre 02, France for The Venery
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| 2001 |
Marcovaldo Commission for Spirits
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| 1998 |
FNAC, French National Collection for Visitors
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| 1996 |
Vigo Visiones, Vigo for Romerias
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| 1992 |
Cross Channel Photographic Commission, South Eastern Arts, Ferney- Voltaire for The Virtues and the Delights
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HONORARY MEMBER |
| 2002 |
ASSOCIATION IMAGES AU CENTRE, France
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TEACHING |
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The Surrey Institute, Photography B.A. Honours Programme ( since 1999)
Goldsmiths College, Part time M.A. Fine Art ( since 2002)
Goldsmiths Visiting Tutor on B.A. Hons Fine Art Programme (1996- 2002)
Royal College Of Art External Examiner for PHD thesis by Mohini Chandra ( 2000)
University of Technology, Sydney, Examiner of Thesis by Ms. Jo- Anne Duggan for the Degree of Doctor of Creative Arts, October 2003 Thesis title: Beyond the Surface: The Contemporary Experience of the Italian Renaissance.
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EXTERNAL ASSESSOR |
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AKTO Photography B.A. Hons Programme, Athens ( for Middlesex University) since 2000-2004
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COLLECTIONS |
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The Arts Council of Great Britain
Bradford N.M.P.F.T.
British Council Collection
Cabinet des Estampes, Geneva
The Chase Manhattan Bank
The Cartier Foundation
Caisse des Depots et Consignations
Centre Pompidou, Paris, France
Folkwang Museum, Essen
FNAC, France
FRAC Acquitaine,
France FRAC
Bretagne, France
FRAC Lorraine, France
FRAC Rhone et Alpes
FRAC Haute Normandie
FRAC Basse Normandie
Heiting Collection, Germany
L'Hoiste Collection, Belgium
Hokin Collection, Chicago
Lamarco Collection, Geneva
Moderna Museet, Stockholm
Musee d'Art Moderne de la Ville de Paris
National Museum of Modern Art, Kyoto
Norton Collection, Los Angeles
The State of Geneva
San Francisco Museum of Art
Texaco Corporation, London
Towner Art Gallery Collection
Uppsala Museum of Modern Art
The Victoria & Albert Museum
Vigo Council, Spain
Warburg Bank, London
Winnepeg Art Gallery, Canada |
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